Off-centre: A modern baby girl quilt

Maybe even too modern?

What do you think? It is off-centre, has lots of negative space, wonky squares and linear and free-motion quilting.

I regret using a contrasting white Aurifil for the quilting. It works well within the white frames but I think I should have chosen a blending thread for quilting the negative space.

The back is more little-girl-ish: Anne Kelle’s Kites on flannel surprisingly matched well with most of the scraps I used within the wonky squares.

Of course it showcases the baby’s name.

I chose raw-edge appliqué again but changed the width often to match the width of the letters/strokes (does that make sense? You can see the width difference in the photo above).

So, all in all, what do you think? Too modern for a new born? Too much grey?
I’d love to hear your thoughts!

Happy quilting everyone!
Christine

An old friend revisited

Remember this sweet baby quilt? I made it years ago and was never able to let it go (aka give it away). But I finally found a home for it – my sister’s third baby received it for his christening.

I had to go back to fix it before wrapping and gifting, though. Back then I chose a zigzag stitch that was too narrow for the raw-edge appliqué. So the fabric began to fray after the first wash. Duh.

So I added another MUCH wider zigzag stitch to stop the fraying…

… and I added the little boys name, too. Thankfully my sister and my BIL chose another short name – very sewist-friendly (o;

Here’s a full view of the fixed version. One hardly recognizes the added stitches from a distance, does one?

I am happy I was finally able to let it go. Because that’s what quilts are meant for, aren’t they? To bring joy and comfort to someone we love.

Happy quilting!
Christine

Hexies and hidden stars - a baby girl quilt

Some weeks ago, the topic of our monthly sew-in at Modern Quilt Guild Bielefeld was Modern Hexies.

I had a treasured Cotton & Steel charm pack and I wanted to make a baby girl quilt for my sister’s second child – due in April.

I auditioned different layouts and decided on the one that formes little stars on the negative space – which instantly prompted the quilting design.

I applied some marks with chalk to keep those quilting lines straight.

I defined three big and some small stars that I omitted while straight line quilting and quilted them free-hand afterwards. Each with a unique quilting design. I used a variegated Aurifil thread in shades of white, light grey and dark grey.

To show you the free motion quilting, I used directional and natural lighting instead of artificial light. The fabric I used for the Background is "Notes in silver on white" from Zen Chic's Modern Backgrounds.

 

Once the baby was born, I added her name in light pink thread.

And this is the back: I used a dotted flannel and some leftover Cotton & Steel scraps.

 

 

And this is the entire quilt, already puckered and crinkly as I had to wash it 5 times to get rid of ALL quilting marks... BTW: what is your favourite method or tool to mark grids and designs?

 

I had a hard time giving it away as I really enjoyed the free-motion quilting a lot but I am sure it will be put to good use at my sister's home.

Happy Quilting!
Christine

Simple Squares - A homage to Gerhard Richter

Another quilt finish inspired by modern art. A homage to Gerhard Richter. 

 

Photograph: Graeme Robertson, found on TheGuardian.com; click image for origin and more information

 

The german artist (pictured above during a vernissage at Tate Modern in 2011) is considered one of the greatest artist of our time. In the 1960 and 1970 he explored abstraction using colour charts - arranged in squares or rectangles.

 

I loved the idea of colourful squares and when I stumbled across this notebook, I decided to make a quilt with the majority of squares in neutral colours - grey, white-ish and black.

 

 

 

To make things as quick and easy as possible, I used Kona Cotton Charm Packs and tried to cluster them by colours, only seperated by neutrals. So that most green hues would be close together and so on...

 

 

For the first time ever, I used a wavy stitch of my sewing machine and a walking foot. Light grey variegated Aurifil makes for a nice contrast.

  

Here's another close-up shot:

 

I used Brigitte aka Zenchic's "Reel Time Screens Ink" fabric for the backing and a scrappy grey and black binding with a triple zig zag stitch to tack it down.

 

 

I machine stitched a quilt label and sewed it down by hand, using Aurifil's variegated floss:

 

 

The quilt is meant to be used daily but I like to imagine it as a wall hanging, too.

Here's a photoshop version of my idea:

 

 

The quilt was gifted to someone special who could do with a cheer-up recently.

I might be tempted to add, that this is one of my favourite quilt finishes ever.

Thank you, Mr. Richter and Remember.de for your inspiration.

 

Happy quilting everyone!

Christine

Quilts for brothers (2)

Here's the second quilt I made for the boys: another strip quilt, this time with 60° triangles.

 

 

Once I had all those triangles cut and sorted, I pondered about the layout. On the left you can see monochromatic spiderwebs, on the right I layed out multichromatic spiderwebs.

 

 

 

I liked the multichromatic version better so I started sewing those webs together: I had to use tons of starch to get acceptable results.

 

 

 

Like the first quilt I made for the boys, I only quilted within the white strips. This time choosing a single, simple quilt design, because I thought things were already varied enough. So, simple steep loops, many "l"s was all I quilted in light grey Aurifil thread throughout those light parts of the spiderwebs:

 

The backing is the same on both quilts: black pindots on white. I used the same fabric for the binding.

 

 

Here's a close-up shot of the quilting:

 

 

And this is the quilt in it's entirety:

 

 

I hope that these two quilts will be loved by the boys, now while they are still small and also later when they grow up. I chose those contemporary colours and prints so they can still use them when they are teens or twens or "really old" (o;

 

Happy quilting!
Christine

 

 

Homage to V.Vasarely – an OpArt Quilt

This quilt has been on my list for a very long time.
Ever since we visited an exhibition of art of the sixties (back in High School) I am fascinated by Optical Art.

To give you a general idea, here are some examples that I found online (doubleclick for source):

Movement in squares, Bridget Riley, 1961

Biadan, Victor Vasarely, 1959

Occhio al Movimento, Alberto Biasi (Gruppo N), 1964

The artist that inspires me most is Victor Vasarely (1906 – 1997). The french-hungarian artist is considered as one of the founders of OpArt. He combined easy geometric shapes like squares, rectangles, triangles and circles to create stunning and eye dazzling optical illusions.

One of my favourites is this one.

Riu-Kiu-C, Victor Vasarely, 1960

I always thought that I would love to create a similar piece of art following his style. But somehow other projects (like lots of baby quilts for our friends) always took higher priority.

Then, last spring, our Modern Quilt Guild Bielefeld decided to take part in a quilt show and our general topic was “Solids Only”. So I had to create a quilt that is made entirely of solid fabrics. Ha! Enter Riu-Kiu-C.

I drew up a pattern using only rectangles and some triangles. Here you can see that pattern when the quilt was almost finished – with lots of handwritten additions:

As I wanted a slightly more soft contrast, I decided on a white and grey colour scheme instead of white and black. I am glad I did and I have to say, that the finished quilt is probably one of my favourites ever.

It just turned out the way that I hoped it would.

Piecing was not easy because it had to be very exact and precise. Especially those diagonal seams were a pain. The seam ripper came out more than once…! I have a love-hate relationship with him. Can you relate?!

I debated with myself for quite a long time because I could’t make up my mind about the quilting design. I usually prefer free motion designs over straight line quilting but this time a simple outline won. I took some white aurifil and outlined every seam – but only on the white strips. The grey fabric remains unquilted. I am glad I did not venture our for a more “artistic” design. It adds a clean and simple look to this modern design.

 

I initially envisioned it to be a modern wall hanging…

…but when I was looking for backing fabrics I found a perfect match in a dotted flannel.

Flannel is quite a heavy choice as backing for a wall hanging but it is oh so soft for snuggling. The quilt ended up rather big (1,65m x 2,25m) so I guess the whole family can snuggle up under it. Now to find a new (and smaller) wall hanging for our living room (o:

I finished the quilt with a single fold binding and zig zag stitch. Lately I prefered the single fold binding over double fold binding as it adds less bulk to the quilt. But I have no experience regarding durability. Do you know whether double fold binding will last considerably longer than single fold?!

This is my second entry for Blogger’s Quilt Festival Spring 2015. Please visit Amy and her online festival of fine quilts. There is much to be seen and to discover.

If you came over from Blogger’s Quilt Festival, please consider leaving a comment so I can see you were here and repay the visit!

Happy Quilting!
Christine

 

P.S. Oh, and I even finished the quilt in time for “Quilt Art Nürtingen”, the quilt show it was intended for. There’s nothing like a close finish. Even if you knew 12 months ahead what you were going to make, right?!